Viagra Boys discover the sweetness in self-destruction on Welfare Jazz

Viagra Boys' career as acid-punk raconteurs has been fueled by means of at the same time assured destruction—they've pumped their bodies crammed with illicit materials and squared off with toxic masculinity to a frenzied backbeat. however what occurs in case you tire of your historic enemies as you rage toward a stronger world? If the Stockholm 5-piece's new album Welfare Jazz is any indication, you go toe-to-toe together with your own worst self. The gloriously sloppy follow-as much as 2018's grimy, groovy highway Worms is crammed with sax skronks, gummy bass strains, and vocalist Sebastian Murphy rambling like a madman about wiener canine and dope.

because of creation help from Matt Sweeney (who's performed guitar with Bonnie "Prince" Billy and Run the Jewels), Justin and Jeremiah Raisen (Yves Tumor, Kim Gordon, Sky Ferreira), Pelle Gunnerfeldt (the Hives, the Knife), and Daniel Fagerström, Viagra Boys have introduced polish to their postpunk pastiche, and that they counter their nervy bravado with instrumental interludes and synth-fueled sheen. Welfare Jazz changed into made within the shadow of a breakup, and Murphy sings of surrendering to deadbeat urges ("Ain't excellent") and banking on the bleary-eyed promise of the morning after a drug-fueled hookup ("Into the solar"). while Viagra Boys have cultivated their Beefheartian punk stunting, they leave a whole lot of room for surprises on Welfare Jazz, most peculiarly a cover of John Prine's "regardless of Ourselves," which points the nasal punk drawl of Amyl & the Sniffers bandleader Amy Taylor. Juxtapositions of candy and scandalous—gambling because the sun sets, cocaine binges in the nation-state, domestic-cooked breakfasts after sloppy hookups—make the area of Welfare Jazz aspirational for Viagra Boys and their after-hours brethren. within the manner of facing their demons, Viagra Boys have created an amphetamine dream fit for their side of the gutter.   v

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